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The Obscure, the Forgotten, and the Unloved

40 Critically Acclaimed But Little Seen Should-be Classics

Veikko Suvanto

  1. Make Way for Tomorrow (1937) Leo McCarey
  2. Les Enfants Terribles (1950) Jean-Pierre Melville
  3. The End of Summer (1961) Ozu Yasujiro
  4. The Crime of Monsieur Lange (1936) Jean Renoir
  5. The Long Day Closes (1992) Terence Davies
  6. The Fall of the House of Usher (1928) Jean Epstein
  7. It's Always Fair Weather (1955) Stanley Donen & Gene Kelly
  8. Le Plaisir (1952) Max Ophüls
  9. To Our Loves (1983) Maurice Pialat
  10. La Femme du Boulanger (1938) Marcel Pagnol
  11. Remember the Night (1940) Mitchell Leisen
  12. The Red and the White (1967) Jancsó Miklós
  13. Mädchen in Uniform (1931) Leontine Sagan
  14. Le Signe du Lion (1959) Eric Rohmer
  15. Happiness (1934) Aleksandr Medvedkin
  16. Lola (1961) Jacques Demy
  17. The Threepenny Opera (1931) G.W. Pabst
  18. Chikamatsu Monogatari (1954) Mizoguchi Kenji
  19. Muriel ou Le Temps d'un Retour (1963) Alain Resnais
  20. The Golden Coach (1952) Jean Renoir
  21. Shadows in Paradise (1986) Aki Kaurismäki
  22. The End of St. Petersburg (1927) Vsevolod Pudovkin
  23. Our Daily Bread (1934) King Vidor
  24. Distant Voices, Still Lives (1988) Terence Davies
  25. The Testament of Orpheus (1960) Jean Cocteau
  26. Les Bonnes Femmes (1960) Claude Chabrol
  27. Bay of Angels (1963) Jacques Demy
  28. The Childhood of Maxim Gorky (1938) Mark Donskoy
  29. Europa '51 (1951) Roberto Rossellini
  30. Cowards Bend the Knee (2003) Guy Maddin

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The Obscure, the Forgotten, and the Unloved is a 2010 poll of committed cinephiles who hope to find, highlight, and promote films that have received a considerable amount of critical acclaim but have yet to find the audience that their evident quality deserves.
  • Introduction
  • Pool
  • 2nd Pool
  • Participants
  • The Top 40
  • Non-Pool Top 20
  • All Films (4+ Votes)
  • A-Z