Dan Sallitt

Dan Sallitt is the former film critic of the L.A. Reader, and the director of the feature films Honeymoon (1998) and All the Ships at Sea (2004). He blogs at Thanks for the Use of the Hall.

Films are listed in ascending chronological order.

• Lady Windermere's Fan (1925) Ernst Lubitsch
• The Docks of New York (1928) Josef von Sternberg
• La Chienne (1931) Jean Renoir
• Liebelei (1933) Max Ophüls
• Outskirts (1933) Boris Barnet
• Maskerade (1934) Willi Forst
• The Devil Is a Woman (1935) Josef von Sternberg
• Ruggles of Red Gap (1935) Leo McCarey
• Angel (1937) Ernst Lubitsch
• Humanity and Paper Balloons (1937) Yamanaka Sadao
• Make Way for Tomorrow (1937) Leo McCarey
• Remember the Night (1940) Mitchell Leisen
• The Shanghai Gesture (1941) Josef von Sternberg
• Cluny Brown (1946) Ernst Lubitsch
• Daisy Kenyon (1947) Otto Preminger
• The Reckless Moment (1949) Max Ophüls
• The Small Back Room (1949) Michael Powell & Emeric Pressburger
• The Golden Coach (1952) Jean Renoir
• Floating Clouds (1955) Naruse Mikio
• Men in War (1957) Anthony Mann
• Day of the Outlaw (1959) André De Toth
• Les Bonnes Femmes (1960) Claude Chabrol
• La Prise de Pouvoir par Louis XIV (1966) Roberto Rossellini
• Je t'aime, je t'aime (1968) Alain Resnais
• Boy (1969) Oshima Nagisa
• Deep End (1971) Jerzy Skolimowski
• Du Côté d'Orouët (1973) Jacques Rozier
• Hard Labour (1973) Mike Leigh
• The Mouth Agape (1974) Maurice Pialat
• The Marquise of O (1976) Eric Rohmer
• Abigail's Party (1977) Mike Leigh
• Who'll Stop the Rain (1978) Karel Reisz
• La Femme Qui Pleure (1979) Jacques Doillon
• A Good Marriage (1982) Eric Rohmer
• To Our Loves (1983) Maurice Pialat
• Elephant (1989) Alan Clarke
• And Life Goes On... (1991) Abbas Kiarostami
• Ma Vie Sexuelle (1996) Arnaud Desplechin
• Flowers of Shanghai (1998) Hou Hsiao-hsien
• M/Other (1999) Suwa Nobuhiro